When I think about a piece of media that reflects the social and cultural issues of the time it was released, I think of Donald Glover’s television show Atlanta. This show aired from 2016-2022 and followed a college dropout trying to navigate the music scene and manage his cousin in his rap career. It is a comedy drama that portrays the modern black experience through a surrealist lense, while tackling topics like poverty, racism, exploitation, gentrification, mental health and other social and economic issues. While it shows modern day struggles, it portrays many of them in a more dramatic, alternative or imaginative way, that makes the situation lighter or twists it, but still getting the point across.
I was lucky enough to watch this show as it was coming out, so every episode and theme it showed was extremely relevant to modern culture, whether it be political issues, memes and viral videos or societal struggles that a marginalized group was facing at the time. One episode in particular stands out to be when discussing this topic, and it is one titled, “Three Slaps”. It is based on the tragic case of the Hart Family, where Sarah and Jennifer Hart drove their vehicle off of a cliff in California, resulting in the death of them and their six adopted black children. The episode was not subtle in the way that it referenced the family and the real events that took place, but in both versions, the solution to the fatal events will always be systematic change. In the retelling, fortunately the children were able to make it out and were given help, remaining safe and making their way back home, but the real tragedy was far different. The episode explores navigating the foster system and CPS as a black person, and dealing with unreliable, biased law enforcement. It shows the children struggling to be heard and not receiving the assistance and care they truly need because of the color of their skin and of their adopted parents as well. Keeping children safe and in a home where they will be properly taken care of, especially children of color, will always be a systematic issue, as they are looked over and unheard in serious situations.
There have been countless other episodes where a modern systematic issue is right in front of our faces and is told in a way that is more imaginative and surreal, but is always reflecting past and current conditions. For example, in the episode, “The Old Man and the Tree” someone witnesses a quick mutual interaction between one of our main characters, Darius, and another party goer. He quickly makes up his mind that the extremely innocent conversation toward Darius was racist, and he eventually gets an entire group riled up about this abominable act that Darius had just been victim of, even though it was nothing but normal. Darius of course is puzzled and a little flustered by their reaction to this alleged “racist” statement and is constantly being told how he should feel aggrieved about it, and as the watcher we can see that the uproar is extremely performative, and is only there to make these people feel morally superior, and maybe they hope that Darius would choose them and give them that satisfaction of being upset and find comfort in them. One may even wonder if it is intentional, which brings us to the topic of performative activism and the danger of ignorance and apathy. In this day and age, more than ever before, with the increased yearning for validation from strangers, especially online, genuine activism is difficult to come by, as it was a few years ago as well and even longer before that. People who prefer the appearance of unyielding support over substance of the matter, who disrupt movements with ignorance, who have a superficial approach to issues that require education and complexity, are grueling to sniff out, and incredibly risky to have around, especially when the going gets tough. So although the interaction was extremely dramatized and a little silly, it is an issue that is relevant today in our society.
References : When Activism Turns Performative – Old Gold & Black
The System of Whiteness in Atlanta’s “Three Slaps”: Part I – Interminable Rambling

